onfilm-authors
Skinny snow by Crista Oiegas
Snow and skin combined. Winter and summer, two seasons many of us wish to combine. Just imagine what it would be like if you could go to the beach, swimming, sun bathing for a week and the next one you'd be "on top of the world" at over 3000 m altitude, free riding your way down. Since this is only a dream for now, I did a shooting with one of my dear friends, Oana. We took advantage of a rainy day, a roll of Ilford Delta ISO 400, a sexy swim suite, ski boots and let' s not forget my love
Damaris by Marian Chinciusan
"She's young, pretty, and dynamic" Meet Damaris. She's a student preparing to become a nurse. We had a short photoshoot in a forest almost at sunset. I used an Olympus OM-1 with Zuiko 50mm 1.8 lens and Agfa Vista 200 iso film, pushed to 400. I developed the film at home using Tetenal Color Kit and scanned it using an Epson V370 scanner. Here are the results. You can find more of my work here: Instagram Flickr 500px
Backpacking with a Leica IIIC
When preparing for a backpack trip there are a lot of things to consider regarding storage space, for me the hardest decision was what camera to take with me... *Prague Astronomical Clock* Traveling is something I always enjoyed, from meeting new people and places, to the stressful situation where you don't know how you will get to the next destination. *Prague Train Station* For most people trip photographs are mostly a way to remember vividly their journeys and to take an analog c
México City a film friendly place
Mexico city is a place where as a film photographer you can find anything almost anywhere: lots of films, urban landscapes, rural landscapes, historic places , secure locations, and people that doesn't care what you are doing in the street.. There are a lot of downsides using film as your main medium when traveling, from insecurity to film scarcity, how easily you overcome this issues depends a lot on the resources the city can give you. *Olympus PEN EE-2 / Konica Centuria expired 2004*
On Streets on Analog.
One thing is for sure. I have always had a strong, deep fascination for the streets. Wherever I am, whoever I'm with, whenever that happens, I feel I belong to that moment. And, in my modest opinion, there is no better way than to express such feelings by photographing that moment. In analog, that is. It's always been like this. I don't think this feeling will ever change, and I don't see why it should, either. Olympus OM-4ti / Zuiko OM 35mm 1:2.8 / Konica Minolta VX100 (expired 2007,